This is a custom dark ornamental design for the calf, completed in a single session. Built with balance and precision, the piece follows the natural flow of the body while maintaining a bold, cohesive presence.
This freehand design was created to feel bold despite its size, following the natural curves of the form with a strong, clean presence.
A dark ornamental design selected from one of my pre-made sketches (more can be found in the “available sketches” section). The client chose to place it on her back, and the design was adapted to fit the body perfectly.
This project is a freehand cover-up created with bold brushstrokes. The goal was to blackout the heavily tattooed side while preserving as much clear skin as possible. Strong, flowing black strokes were built to wrap naturally around the leg, balancing density with openness.
Under the Sea project is a freehand cover-up inspired by sea weeds and corals, executed in dark, textured dotwork. The organic flow was built directly on the skin, allowing the design to naturally transform what once was into something organic, fluid, and slightly untamed.
The Trypophobia project holds exactly 1,826 dots. Created as a half leg sleeve, it was designed with the intention of flowing into future tattoos. The precision of the number was essential, so we counted every single dot throughout the entire process. Exhausting at times, but deeply satisfying — this is a project I won’t forget.
This is a custom design of mythical ravens from Norse mythology, named Huginn and Muninn - completed in two separate sessions. The composition was built to carry both movement and symbolism, creating a strong, balanced presence on the body.
This is a full custom back piece representing the Norse goddess Hel, the Tree of Life Yggdrasil, and a dog often associated with her mythology. Hel is depicted as a dual figure, reflecting both life and death, while Yggdrasil serves as the central axis connecting the realms. The dog, placed alongside her, reinforces her presence as a guardian of the underworld. The design was partially created freehand, with the entire composition drawn without references, and completed over multiple sessions to allow the piece to fully adapt to the back.
This project involved an existing octopus tattoo created by another artist. The goal was to complete the missing tentacles and enlarge the composition. To further elevate the design, abstract dark forms were added in the background, carefully shaped to follow the figure and enhance the octopus as the focal point in the foreground. Everything was done freehand and completed in a single session.
This is a custom dark ornamental design for the calf, completed in a single session. Built with balance and precision, the piece follows the natural flow of the body while maintaining a bold, cohesive presence.
This freehand design was created to feel bold despite its size, following the natural curves of the form with a strong, clean presence.
A dark ornamental design selected from one of my pre-made sketches (more can be found in the “available sketches” section). The client chose to place it on her back, and the design was adapted to fit the body perfectly.
This project is a freehand cover-up created with bold brushstrokes. The goal was to blackout the heavily tattooed side while preserving as much clear skin as possible. Strong, flowing black strokes were built to wrap naturally around the leg, balancing density with openness.
Under the Sea project is a freehand cover-up inspired by sea weeds and corals, executed in dark, textured dotwork. The organic flow was built directly on the skin, allowing the design to naturally transform what once was into something organic, fluid, and slightly untamed.
The Trypophobia project holds exactly 1,826 dots. Created as a half leg sleeve, it was designed with the intention of flowing into future tattoos. The precision of the number was essential, so we counted every single dot throughout the entire process. Exhausting at times, but deeply satisfying — this is a project I won’t forget.
This is a custom design of mythical ravens from Norse mythology, named Huginn and Muninn - completed in two separate sessions. The composition was built to carry both movement and symbolism, creating a strong, balanced presence on the body.
This is a full custom back piece representing the Norse goddess Hel, the Tree of Life Yggdrasil, and a dog often associated with her mythology. Hel is depicted as a dual figure, reflecting both life and death, while Yggdrasil serves as the central axis connecting the realms. The dog, placed alongside her, reinforces her presence as a guardian of the underworld. The design was partially created freehand, with the entire composition drawn without references, and completed over multiple sessions to allow the piece to fully adapt to the back.
This project involved an existing octopus tattoo created by another artist. The goal was to complete the missing tentacles and enlarge the composition. To further elevate the design, abstract dark forms were added in the background, carefully shaped to follow the figure and enhance the octopus as the focal point in the foreground. Everything was done freehand and completed in a single session.